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披麻皴“大披麻皴”是用较长的线来塑造山石的,通过线的组合、交叉、疏密关系画出山石的明暗。皴时卡位要准,线皴随石形略有弧度。披麻皴的皴法有中锋用笔和顺锋用笔两种,起笔力要足,笔要用到底,笔与笔之间的交错乱中有序。线皴表现暗部要密,受光面要疏,行笔快慢相结合虚实相间,墨由湿到干,笔到干时擦几笔,使皴法统一又有苍茫之感。“小披麻皴”比大披麻皴线条细短。
Phi Ma 皴 “Phi Phi Ma ” is to use longer lines to shape the rocks, through the combination of lines, cross, dense relationship draw the brightness of the rocks.皴 when the card bit to be allowed, line 皴 slightly curved with the stone. Phi Ma 皴 皴 law has a center with the pen and Shun Feng with two kinds of pen, pen and foot to foot, pen should be used in the end, between the pen and the chaos chaos ordered. Line 皴 performance dark to dense, light to sparse, the combination of the actual speed of pen and ink, ink from wet to dry, pen to dry a few times rub, so that the law is unified and there is a sense of vastness. “Small Phimmas 皴” shorter than Phi Phi Ma lines.