记得抗日战争胜利前后,欧阳予倩同志在桂林办艺术馆剧团,专业演员只雇用十来人,其他人员均特邀业余戏剧爱好者参加,照样成功地演出了《雷雨》《日出》《天国春秋》这样的大戏。欧阳老还常常打着油纸雨伞步行到十来里外的郊区学校去排戏。欧阳老是多么重视业余戏剧活动啊! 建国以后,由于社会主义的优越性,国家养了庞大的专业戏剧队伍。于是不少人就认为业余戏剧活动可有可无了。这种偏颇,显然破坏了戏剧园地的“生 I remember before and after the victory of the War of Resistance Against Japan, Comrade Ouyang Yuqian organized a theatrical troupe at the Guilin Museum of Art, and only a dozen of professional performers employed. All other amateurs invited amateur theater lovers to participate in the show. They succeeded in performing “Thunderstorm,” “Sunrise,” “ Spring and Autumn ”such a drama. Ouyang Lao often also hits oil paper umbrellas to ten suburbs outside the school to row play. Ouyang always pay much attention to the activities of amateur drama ah! After the founding of the PRC, due to the superiority of socialism, the country has a large contingent of professional theaters. So many people think that amateur theater activities are dispensable. This bias, apparently destroyed the theater’s “students.”