《戏剧》1987年二期发表舒强的《关于创新问题》。文中说,创新的目的不能为新而新,而是应该更好、更深刻、更有表现力、更艺术地采表现剧本所反映的生活的真实,表现剧本主要思想,揭示人物的思想感情。我们不要去追求那种照像式的舞台幻觉,但不能排除舞台幻觉,所谓的舞台幻觉就是生活的真实感,如果舞台上的一切都不能引起观众的生活真实感,都是假的,都看不懂,观众就不会相信。不能想什么就搞什么。这里就有一个主体意识问题了。只要是搞创作,就必然有主体意识,这是作家的思考,作 “Drama” 1987 second issue Shu Shu “on the issue of innovation.” The article said that the purpose of innovation can not be new and new, but should be better, more profound, more expressive, more artistic collection of real life reflected in the script reflects the main idea of ​​the script reveals the thoughts and feelings of the characters. We do not want to pursue the kind of photographic stage illusion, but can not rule out the stage illusion, the so-called stage illusion is the real sense of life, if everything on the stage can not cause the viewer’s real life, are false, all look Do not understand, the audience will not believe it. Can not think of anything to engage in what. There is a problem of subjective consciousness here. As long as it is engaged in creation, it is bound to have the subject consciousness, which is the writer’s thinking and making