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正当“影像生存”——上海双年展拉下维幕不到一周的时间,由中国美术学院举办的2004中国新媒体艺术节“迷宫”11月30日在杭州隆重举办。许江、吴美纯再度担当本届艺术节的策展人,整个策划充分体现了两位策展人对中国新媒体艺术发展以及最新趋向和实验现状的关注。如果说三年前的首届新媒体艺术节“非线性叙事”从整体上对新媒体艺术在中国的遭遇进行了理论上的梳理,推动了艺术家们对影象技术本身的把握,并且深化了语言力量上的品质要求。本届新媒体艺术节一方面紧追数字网络科技的冲击后中国
Just as “Image Survival” - the Shanghai Biennale draws less than a week’s worth of screen, 2004 China New Media Arts Festival “Labyrinth” organized by China Academy of Art was held in Hangzhou on November 30th. Xu Jiang and Wu Mei- pure once again served as curators of this festival. The entire plan fully demonstrated the concern of the two curators on the development of Chinese new media art as well as the latest trends and experimental status quo. If we say that the first New Media Arts Festival “Nonlinear Narrative ” three years ago comprehensively analyzed the experience of new media art in China, promoted the artists’ grasp of the imaging technology itself and deepened it The language of the quality requirements. This new media art festival catches up with China after the impact of digital network science and technology on the one hand