微雕是我国的传统艺术,也是我们传统文化中的绝技之一,随着改革开放对外窗口的打开,微雕作品也越来越多地出现在中外宾客面前,为弘扬中华文化艺术作出了很大的贡献。 然而,在众多作品中,在这十多年的微雕历史过程中,可说是“涛声依旧”清末民初微雕家于硕所创“牙雕 Miniature sculpture is one of the traditional arts of our country and also one of our unique skills in traditional culture. With the opening of the external window of reform and opening up, micro-sculpture works are also appearing more and more in front of Chinese and foreign guests, making a great contribution to carrying forward Chinese culture and the arts contribution. However, in many works, in the ten years of the history of micro-carving, it can be said that “the sound of the waves still remains.” At the end of the Qing Dynasty and the beginning of the Republic of China,