一切艺术都在与时俱进,随着时代的创新而创新,随着时代的发展而发展。中国的民族歌剧亦如此。本文从剧本创作(“一度创作”)、舞台表演(“二度创作”)、受众接受(“三度创作”)三大理论层面,对现代民族歌剧与以往民族歌剧进行了比较研究,重点定位在二者的区别比较研究上。对于现代民族歌剧的创新发展,可以提供理性思辨与艺术实践的双重参照系。 All arts are advancing with the times, innovating with the times and developing with the development of the times. The same goes for Chinese national operas. In this paper, from the three major theoretical levels of script creation ( “once creation ”), stage performance ( “second degree creation ”) and audience acceptance ( "third degree creation A comparative study, focusing on the difference between the two comparative study. For the innovation and development of modern national operas, we can provide a double frame of reference for rational speculation and artistic practice.