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电视剧《红蜻蜒》播出,我和老伴儿还有小孙女一集集看下去,从头看到尾。我们老俩都有四十多年的教育生涯,孙女呢,是四年级小学生,看这部反映学校生活的电视剧,有时忘记了是在电视机旁,如同身在学校,倍觉亲切。一看就知道,这个电视剧主要取材于首都的教育界,是从大量素材中提炼出来的。我们这样熟知情况的人,在剧中看到许多熟悉的影像,如在身边,如在眼前。比如那一次达到两代思想交流的家长会,还有那一次使学生受到深刻教育的下乡扫墓,都是为大家喷喷称道的成功的教例。自然这只是说,这个剧的创作遵循严肃的现实主义原则,却并非只是生活的实录。大约因为总编剧柯岩同志是诗人,经过艺术概括,许多人物和场面沁着浓郁的诗意。最后一集“超越自我”,激越肃穆,留下深沉的思索。作者在杜嵋这个新时期教师形象的身上倾注了极大的热情。这个形象犹如一把炽热的火。灼灼地跃动着,照亮全局。她热爱教育工作,达到忘我、忘家、
TV drama “Red Dragonfly” broadcast, I and my wife and children have a granddaughter to watch a set of episodes, see the tail from scratch. We both have forty years of educational career. My granddaughter is a fourth grade primary school student. Looking at this drama that reflects the school life, I sometimes forgot that I was beside the television and was as intimate as I was in school. A look to know that this drama is mainly drawn from the capital’s education sector, is extracted from a large number of sources. We are so familiar with the situation, in the drama to see many familiar images, such as at your side, as in the immediate. For example, the parents meeting that reached the exchange of ideas between the two generations at a time, and the grave grave that brought the students to the countryside with profound education, are all examples of successful teaching for everyone. Naturally, this just means that the drama follows the principle of serious realism, but it is not just a mere record of life. The reason is that Comrade Ke Yan, the chief editor, is a poet. Through artistic generalization, many people and scenes are full of poetic flavor. The last episode “Beyond the Self”, stimulating solemn, leaving deep thinking. The author devoted a great deal of enthusiasm to Du Xun’s teacher image in this new period. This image is like a hot fire. Shining with joy, light the whole picture. She loves education, to forget, forget the home,