小说《春》的艺术手法很大程度借鉴了《红楼梦》,尤其是对于人物形象的语言和行为描写。在这两部以反封建精神为核心的小说人物中,贾迎春和周蕙如这两个“逆来顺受”的形象并不很引人关注。尽管她们姿容丰满安分守己心地善良,却成为封建包办婚姻的牺牲品,最后遭受夫家的虐待而暴命,她们的悲剧人生与自身的性格缺陷值得关注和借鉴。 The artistic technique of “Spring” in the novel draws heavily on the “Dream of the Red Chamber”, especially the portrayal of the language and behavior of characters. In these two novels with anti-feudal spirits as the core, the images of Jia Yingchun and Zhou Huiru are not very attractive. Although they are plump, well-behaved and kind-hearted, they have become the victims of the feudal organized marriages. They eventually suffer violent mistreatment from their husbands. Their tragic life and their own personality defects deserve attention and reference.