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继1988年后,相隔24年,北京人艺再度以全院阵容带着5台新作来上海演出。盛夏的上海,涌动起了一股观剧的热潮。这使我不禁想起了24年前《文汇报》为北京人艺演出而举行的座谈会上的一个话题。那个会上,《茶馆》、《狗儿爷涅槃》、《天下第一楼》、《推销员之死》、《哗变》的演出得到了高度的评价,然而,有一位年轻的与会者却质疑,《茶馆》会不会是北京人艺“最后的晚餐”?他的意思大概是两层:一是,北京人艺所坚持的写实的艺术风格会不会被时代潮流淘
Following 1988, an interval of 24 years, Beijing Art again with the entire hospital team with five new works to Shanghai. Summer in Shanghai, surging up a wave of drama. This reminds me of a topic at a forum held by Wen Wei Po in Beijing for performing arts performances 24 years ago. At that meeting, the performances of “Teahouse”, “Dog Nirvana”, “First Floor of the World,” “Death of a Salesman,” and “Mutiny” were highly evaluated. However, a young participant questioned , “Teahouse” will be Beijing art “Last Supper ” He is probably about two layers of meaning: First, Beijing art will adhere to the realistic art style will not be the trend of the times