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对于宿命的诠释,是文学作品中古已有之的话题,妄图将巨石推上山顶,却又不得不一次次地面对下滑,重试的西绪弗斯,既展示了命运的无情和反抗的虚无,也展示了人类的永恒困境。两千多年之后,黑色幽默盛行,文学作品再次聚光于荒诞,无望的宿命。然而,被黑色幽默的又岂止是二十世纪六十年代的美国人,或者小说中的皮尔格里姆、克莱文杰这些人物,在此三十多年前,凯恩在《邮差总按两遍铃》中塑造的弗兰克和科拉,已经为他们的出场上演了一段精彩的前奏。导演伍迪·艾伦说过:“生命有两种,一
Interpretation of fate is an ancient topic in literary works, in an attempt to push the boulder to the top of the hill, but again and again to face the decline, re-test Sisyphus, both shows the fate of the ruthless and revolt Nothingness, but also demonstrated the eternal human predicament. Two thousand years later, the prevalence of black humor, literature again focused on absurd, hopeless fate. However, more than black humor is more than Americans in the 1960s, or Pilchim and Cleavenger in the novels. Over 30 years ago, Frank and Cora, the two-time bells, have put on a wonderful prelude to their appearances. Director Woody Allen said: ”There are two kinds of life, one