书法之成为艺术的关键不在于“法”而在于“书”本身的韵味,这里试将这一观点作一新的推论。我们认为,所谓“韵味”,不仅仅在于书法本身要用文字或诗句作为表现情感的节奏,还有两种深层的原因:其一,作为具有自身特色而同“画”分道扬镳的“书”追求一种深沉内敛的时间性特征,而不同于“画”的空间 The key to the art of calligraphy is not the “law” but the charm of the book itself. Here we try to make a new corollary of this view. In our opinion, the so-called “charm” is not only due to the fact that calligraphy itself uses words or poems as the rhythm of expressing emotions. There are two profound reasons: First, as a book pursued with its own characteristics and parting ways with “painting” A deep introverted temporal features, but different from the “painting” of space