艺术批评秉持的艺术观念包括艺术价值观念,直接影响到对于艺术作品、艺术流派、艺术现象、艺术家甚至艺术史的批评的有效性。时推世移,当代中国的艺术批评,同样遭遇了批评的有效性问题。在文化对话逐渐深化,尤其是在中国、东方以及非西方世界不断张扬文化软实力和欧美学术界不断反思自我缺失的双重力量的推动之下,当代中国的艺术批评出现新的动向和潜在的势头,可将其概括为文化人类学转向、本土化转向和本体论转向。文章对此进行探讨,以期加深人们对其认知。 Art criticism upholds the concept of art, including artistic values, which directly affects the validity of criticism of works of art, art schools, artistic phenomena, artists and even art history. When pushing the world away, contemporary Chinese art criticism also encountered the issue of the validity of criticism. With the gradual deepening of cultural dialogue, especially in the constant promotion of cultural soft power in China, the East and non-western worlds and the dual forces of continuous reflection on self-absence by European and American academics, new trends and potential trends are emerging in contemporary Chinese art criticism , Which can be summarized as the turn of cultural anthropology, localization and ontology. The article discusses this, with a view to deepen people’s cognition.