本文分析了巴迪欧如何通过对艺术与哲学的传统关系图式即教诲式、浪漫式、古典式的批判,从而创造性提出了“非美学”的关系图式。在这种具有内在性与独一性非美学关系中,艺术如何作为一种真理程序而生产出自身的真理。另外讨论了朗西埃基于自身“艺术的美学体制”的构想对非美学的批评及其引起的争论,这不仅可以加深对巴迪欧非美学内涵及其内部矛盾的理解,而且对非美学似乎隐含的政治性具有启发性。 This article analyzes how Badiou put forward his “non-aesthetic” relational schema through the traditional relational schema between art and philosophy, that is, teaching, romance, and classical criticism. In this non-aesthetic relationship of intrinsic and uniqueness, how does art produce its own truth as a process of truth? In addition, it discusses the criticism of non-aesthetics and the controversy caused by Lonissiere’s conception of aesthetics based on his own “aesthetics of art ”. This not only deepens the understanding of Badiou’s aesthetics and its internal contradictions, Aesthetics seem implicitly political enlightening.