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后期特效渲染是根据很多视觉范围内的特征而进行的,光线和阴影显示了物体的形状,色彩创造了细腻安静的基调或爆炸欢愉的基调,肌理柔和精致得像细致的沙子一样,或戏剧有力得像孔雀石一样,雨不平静的半透明度扭曲了世界的特征,透明的水的反射镜与它们混合在一起。通过电脑渲染所呈现的真实或者虚幻,可以创造出像采用其它手段一样的艺术效果。在《街头》的创作中,采用了三维软件特效渲染和后期特效相结合的方式,完整的将画面所需要表达的人物感受和周围环境氛围表达出来,使观众身临其境,感同身受。对小男孩的悲惨遭遇深表同情,对博取同情的乞丐老人的无奈,对当时社会的不公平表示愤慨。最后在此总结,将两种方式两种软件的后期特效渲染不仅能节省制作渲染所需要的时间,而且可以更好地控制画面所需要表达的效果。
Post-effects renderings are based on a number of visual range features, with light and shadows showing the shape of the object, the color creating a delicate, quiet tone or a burst of joy, the soft palate subtly resembling the fine sand, or the drama Powerful like malachite, the translucency of the rain distorts the characteristics of the world, and transparent water mirrors mix with them. Rendering the real or the illusion rendered by a computer can create the same artistic effect as using other means. In the creation of “Street”, a combination of three-dimensional software effects renderings and later special effects is adopted to fully express the feelings of the characters and the surrounding atmosphere required for the images to make the audience immersive and empathize. Deep sympathy for the tragedy of the little boy, the helplessness of the elderly beggars who have drawn sympathy, and his indignation over the unfairness of society at that time. In the end, we conclude that rendering the post effects of the two softwares in both ways can not only save the time needed to render, but also control the effect that the picture needs to express.