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第三篇四十年代的革命往事(中) “Bebop”在1944年由次中音萨克斯大师Coleman Hawkins组织的演奏会后得到了它在乐坛上的正式地位,大批的东海岸乐手纷纷开始了他们的“Bebop”音乐生涯,Charlie和Gillespie的五人乐队作为先锋和开拓者在此时也录制了许多伟大的唱片,最著名的要数那张《 Bird,Diz,Bud,Max》,两位心灵相通的大师在乐段间展开了另人惊叹的追逐,当灵魂凌驾于音符之上的时候, 还有什么能够把那种忘我的狂欢束缚住?!此时的他们雄心勃勃,在不断变换城市的巡演中所向披靡。但是,这令人陶醉的景象只发生在东海岸,当他们来到西海岸演出的时候,他们遭受了前所未有的冷遇(西海岸“Cool Jazz”风格慢慢地成为了下一个十年舞台上的主角),认知度的差异使得他们深刻认识到:纽约不是洛杉矶。 Charlie是理想化的。因此,他无法接受这个现实,巡演结束后,他也住进了卡玛里奥州立医院,他的精神出现
The Third Forties of the Past (Middle) “Bebop” got its official position in the music scene after a concert organized by the tenor saxophone Coleman Hawkins in 1944, and a large number of East Coast musicians started Their “Bebop” music career, Charlie and Gillespie’s five-man band as a pioneer and pioneer at this time also recorded many great records, the most famous number to be that “Bird, Diz, Bud, Max”, two The ghosts of the same spirit perform an astonishing chase between the passages, and when the soul is above the notes, what else can be done to strangle that ego’s spirits ?! At this point they are ambitious and constantly changing City tour invincible. However, this fascinating scene only occurred on the East Coast, when they came to the West Coast show, they suffered an unprecedented cold (West Coast “Cool Jazz” style has slowly become the protagonist of the next decade stage) , The differences in awareness make them deeply aware: New York is not Los Angeles. Charlie is idealized. As a result, he could not accept the reality, and after the tour, he also moved to Camaroo State Hospital and his spirits appeared