一西村孝次在他的著书中将亚瑟·西蒙斯(Arthur Symons)的文学批评理解为古典主义“简明的”形式美。然而他本人却曾是一个浪漫主义的“时尚”文学青年。他说,“那曾是多么浪漫的季节啊!那是我们的,不,应该说是我的青春!比如英国文学史上那些所谓世纪末的东西,我曾是多么钟情地阅读了它们啊。”“在浪漫的青春时代,我自由地地解读它们。”可见,浪漫主义的重抒情与古典主义的重形式是两种不同的思考方式,彼此形成鲜明的对照。令人感兴趣的是,这些理论不仅 In his book, Takashi Nishimura interpreted Arthur Symons's literary criticism as classical “simple” formal beauty. However, he himself was a romantic “fashion” literary youth. He said, “How romantic was that season! That's ours, no, it's my youth! For example, I was so fond of reading these so-called centuries-old things in British literary history.” “In the romantic youth, I freely interpret them.” "Thus, the heavy expression of romanticism and classicism are two different ways of thinking, in sharp contrast to each other. Interestingly, these theories not only