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尚黑之风。对于中国画色彩发展,自汉、唐之后,墨色在绘画中渐渐突出而成为主导色,这与中国道家、理家学说有着密不可分的渊源。庄子禅学主导的哲学意境引导中国画崇尚空灵清远的艺术境界来满足艺术家对庄、禅神韵的追求。道家从“玄”观出发,以阴阳解释自然界的万物情态,在墨色的黑白中选择众色之
Still black wind. For the development of color in Chinese painting, since the Han Dynasty and the Tang Dynasty, the ink color has become the predominant color in the painting, which is closely related to the Chinese Taoism and Confucianism. The philosophical conception led by Chuang Tzu Chan led the Chinese painting to advocate the artistic realm of ethereal Qingyuan to satisfy the artist’s pursuit of the charm of Zhuang and Chan. Taoist from the “Xuan ” view of departure to explain the nature of all things in yin and yang, black and white ink in the choice of color