中国的灾难片虽已经历了几十年的发展,但依然带有比较浓厚的主旋律色彩,在表现人与自然的关系时,与好莱坞灾难片相比,不自觉地表现出了“人定胜天”的思想。追根究底,这与我国宏大的国家意识形态叙事策略和以传统文化为基础沉淀的民族心理密不可分。 Although China’s disastrous films have undergone decades of development, they still have a rather strong theme color. Compared with the Hollywood disaster films, they show unconsciously the “people’s will prevail in the world” when expressing the relationship between man and nature. "thought of. It is closely linked with our ambitious national ideological narrative tactics and the national psychology that has been precipitated on the basis of traditional culture.