中国山水画,始自汉,独立画科于东晋,兴盛于隋唐,其历史源远流长。因晋陶渊明、南北朝谢灵运等山水诗之影响,山水画家开始关注乡村野景,由此出现了表现田园意趣的山水画,可以说,田园成诗,田园为画,其历史也同样源远流长。马良书的山水画作品极富田园意趣,空灵洁净,满纸清香,有一种浓郁的理想化的人文气象。其作品重意境与神韵,既有传统精华,于墨色交融中呈示厚重的传统文化和笔墨功底,又有别于传统样式,依托现代文化理念和思 Chinese landscape painting, from the Han, an independent painting in the Eastern Jin Dynasty, flourished in the Sui and Tang Dynasties, its history goes back to ancient times. Due to the influence of Jin Tao Yuanming and the Southern and Northern Dynasties Xie Lingyun and other landscape poems, landscape painters began to pay attention to the rural scenery, which led to the emergence of the landscape painting with the rural taste. It can be said that pastoral poetry and pastoral painting have their own history. Ma Liangshu’s landscape paintings are very rustic, unadorned, full of fragrance, there is a rich idealistic humanistic meteorology. His work emphasizes the artistic conception and the verve, both of the traditional essence, presents the heavy traditional culture and the background of the ink and brush in the fusion of the colors, and differs from the traditional style. Based on the modern cultural concept and thinking