“清凉寺钟声”一敲,影评便顿显热闹。一时间说什么的都有。依我看,《清凉寺钟声》当然跟《最后的贵族》一样,体现了谢晋的新追求。但现在就来下什么断语,似还为时过早。倒是作点具体过细的分析,更为重要。“升华”与否有人说,对于谢晋,这部影片“体现了艺术思维的升华”。这话要看怎么讲。简明一点说,所谓“艺术思维的升华”,作为完成形态,它应当落实到对作品本身的实际把握上。否则就是空话。如果孤立地讲“自我超越”,《清凉寺钟声》当然是对以往“谢晋模式”的超越。比如相比之下,导演的人生思考有了更广阔的视野,对生活的审美把握其角度 “Cool Temple bells knocked on, the film critically show lively. What to say at a time have. In my opinion, ”Qingliang Temple Bells“ of course, with the ”Last Aristocracy“, embodies the new pursuit of Xie Jin. But it is too early to say what is coming now. It touches on the specific analysis of the more detailed, more important. ”Sublimation“ Some people say that for Xie Jin, this film ”embodies the sublimation of artistic thinking.“ This depends on how to say. To put it succinctly, the so-called ”sublimation of artistic thinking,“ as a matter of accomplishment, should be implemented to the actual grasping of the work itself. Otherwise it is empty talk. If you say ”self-transcendence“ in isolation, the ”Bells of Qing Liang Temple“ of course is beyond the previous ”Xie Jin model." For example, in contrast, the director’s life thinking has a broader perspective on the aesthetic life to grasp its point of view