一、云南纳西古乐概述云南的洞经音乐大约于元末明初时期随汉族移民的到来由内地传入,因主要用于谈演道教经典而得名。在云南,洞经音乐不仅流传在汉族以及受汉文化影响较深的白族、纳西族中,而且在与汉族相杂居的部分壮族、彝族、傣族地区也有传播。由于古代的丽江地区交通不便,信息闭塞,加上纳西文化所特有的包容性,在文化交流的互动中,丽江洞经音乐不仅保留了明、清时期的内地洞经音 I. Overview of Naxi Ancient Music in Yunnan The Dongjing music in Yunnan was introduced from the Mainland around the Yuan Dynasty and the Ming Dynasty with the arrival of the Han emigrants and was mainly used to name its Taoist scriptures. In Yunnan, Dongjing music not only spreads in the Han nationality as well as in the Bai and Naxi ethnic groups deeply influenced by the Han culture, but also spreads in parts of Zhuang, Yi and Dai nationalities which are inhabited with the Han nationality. Because of the traffic inconvenience and the information blockage in the ancient Lijiang area, together with the unique inclusiveness of Naxi culture, in the interaction of cultural exchanges, the music of Lijiang Dongjing not only retains the soundtrain of the interior cave in the Ming and Qing dynasties