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绘画学习可以通过多种途径,临摹即其中之一。 临摹在我国有悠久的历史,至少可以追溯到汉代,东汉明帝“夜梦金人”得天竺优填王所作释迦像,即命画工“图佛像置清凉台及显节陵上。”至魏晋南北朝,士族兴起,士大夫积极参与书画活动,善于佛教画的画家,如东吴曹不兴以作巨幅画像而著名于世。赤乌四年(公元241年)印度僧人康僧会到建业(南京),曾设像行道。曹不兴有机会见到这些“西国佛画”,因而摹写,故历史上称其为“佛画之祖”。此后,西晋之卫协师法不兴,东晋顾恺之师卫协。至南朝齐谢赫所著《古画品录》提出的“六法”中,更把“传移摹写”列为“六法”之一。此后千百年来,名家衣钵相传临摹之法,视为学画之捷径。但临摹只是学习的手段,而不是目的。
Drawing learning can be through a variety of ways, copying is one of them. Copy in our country has a long history, at least can be traced back to the Han Dynasty, the Eastern Han Dynasty Emperor Ming “Nightmare Gold” Tianzhu You fill the king for the Shakyamuni, that life painting workers, During the Jin, Jin and Northern and Southern Dynasties, the rise of ethnic groups and the participation of scholars and scholars in painting and calligraphy activities. Painters who are good at Buddhist painting, such as Cao Buxing in Soochow, famous for making huge portraits. Chiwu four years (AD 241) Indian monks Kang monk will Jianye (Nanjing), had set up as the road. Cao Buxing had the chance to see these “Buddhist paintings of the West” and thus copied, so it is called “the ancestor of Buddhist paintings” in history. Since then, the Western Jin Wei Association bad law, Gu Kai division of the Eastern Wei Association. In the “Six Laws” proposed by Qi Xiehe’s “Ancient Pictorial Catalog” in the Southern Dynasties, “transfer and copy” was even listed as one of the “six laws.” Since then thousands of years, the legendary mantle legendary copy of the law, as a shortcut to learn painting. But copying is only a means of learning, not an end.