本文通过重新装裱湖南省博物馆馆藏清末设色《观音明王水陆图》、清末设色《城隍判官水陆图》与民国设色《神像云龙水陆图》三幅水陆画的修复实例,重点分析了水陆画固色后清洗去污和揭旧两个问题的处理措施,指出了本次修复的关键是对颜色龟裂或起翘的纸质书画文物可采用温热骨胶水多次渗入法进行固色及针对某些黏结物不宜干揭的纸质文物可采用“局部加温法”慢慢清理,黏结物可去除,初步探讨了修复此类书画文物的可行方法。 This paper reassembles the collection of Hunan Provincial Museum by the end of the Qing Dynasty tinting “King of Guanyin land and sea map”, the end of the Qing dynasty tinted “City 隍 Judge amphibious Landslide” and the Republic of China colored “Goddess Yunlong Land and Water” three examples of water and land restoration, focusing on the analysis of water and land paintings After fixing the cleaning decontamination and exposing the two old problems handling measures, pointed out that the key to this repair is the color of the cracked or upturned paper and calligraphy cultural relics can be used hot glue multiple infiltration method for fixing and The paper artifacts that are not suitable for some stickies should be cleaned slowly by “local warming method”, and the stickies can be removed. The feasible methods for restoring such calligraphy and painting artifacts are discussed tentatively.