巴托克的《夜曲》,选自二十世纪初巴托克的钢琴作品《小宇宙》,该曲从音乐气质上,其可歌唱性、抒情性与浪漫主义时期相似,但不同的是他运用了许多现代音乐的因素和特点。同时,在该曲中,调性仍然存在,但是它与传统的功能性大小调已有明显的区别,在和声进行上也增加了许多变化音。通过这个作品,也可以看出传统和声向现代和声转变的写作过程。本文通过对作品的分析,展现巴托克的现代作曲技法的演变及发展。 Bartok’s “Nocturne”, from Bartok’s pianist “Little Universe” at the beginning of the twentieth century, is similar in musical qualities to lyrical and lyrical, but differs from the romantic period, Many modern music factors and characteristics. At the same time, the tonality still exists in the song, but it is obviously different from the traditional functional size and tone, and many variations are added to the harmony. Through this work, we can also see the process of writing that the traditional harmony is transformed into a modern harmony. Through the analysis of the works, this article shows the evolution and development of Bartok’s modern composition techniques.