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在汉语词汇中,“歌圩”作为指称壮族民间歌唱风俗的术语,最早出现在清代的文献里;经过两百年来的沿用,尤其是20世纪80年代以来经壮学界的有意选择,该词汇已成为对壮族歌唱文化的典型概括。通过梳理“歌圩”记录和研究方面具有代表性的文献,厘清“歌圩”的命名在各种文本中出现时的具体含义,说明“歌圩”作为一种学术概念的形成和推广,与岭南本土历史文化特点和民族文化研究的知识范式有密切关系。
In the Chinese vocabulary, “Song Wei” as the term referring to folk customs of Zhuang people first appeared in the literature of the Qing Dynasty. After two centuries of adoption, especially the intentional choice of the Zhuang scholars since the 1980s, Has become a typical summary of the singing culture of Zhuang. By combing the representative records of “Song Wei” and researching the specific meanings of “Song Wei” when appearing in various texts, it is clarified that “Song Wei” is formed and popularized as an academic concept, and Lingnan native history and culture and national culture are closely related to the study of the paradigm.