书华以悲鸿大师为一面明镜,自50年代中期始坚持研习悲鸿画马,历经千辛万苦才成就今天之画风,画出属于他自己的骏马。在我有生之年能看到悲鸿之后又一后起之秀的泼墨骏马,实在令我感动。不难想象,书华从零起步,以怎样的毅力翻过一座座大山,吸收自古以来那些画马名家共同追求的绘画状态:文静、淡雅、秀润、俊逸。即使我们的画马大师悲鸿先生,他一生的突破点也仍是把功夫下在人物上。论当今画马,书华画马的那种神韵、气度、激越豪情, As a mirror of Master Beihong, Shuhua insisted on studying Beihong painting since the mid-1950s and succeeded in today’s style of painting with painstaking efforts to draw his own horse. I was touched by the splashing ink horse which was a rising star after Bei Hong in my lifetime. It is not hard to imagine that Shuahua started from scratch, with what kind of perseverance turned over a large mountain, absorbing the painting states that the horse masters sought after since ancient times: quiet, elegant, beautiful, handsome. Even though our painter, Mr. Beihong, made breakthroughs in his life, he still put his efforts on people. On the current style of painting horses, Chinese painting horses that charm, tolerance, passion,