汉斯立克作为自律论美学观点的捍卫者,他坚决反对以情感作为音乐的表现内容,认为音乐的美仅仅存在于其自身完美的形式之中,他明确的表示“表现确定的情感或激情完全不是艺术的职能”。他的这一观点具有强烈的争论性,曾在当时受到资产阶级音乐界和哲学界众多人的关注,并引起来自他律论者的强烈攻击。本文将从音乐与情感的关系、情感与幻想力、影响情感的副作用三方面来正面论述汉斯立克所提出的“情感的表现完全不是音乐的职能”这一观点所具有的合理性所在。 As a defender of the aesthetic point of view of self-discipline, Hans Rick firmly opposes using emotion as the content of music, believing that the beauty of music exists only in its own perfect form and that he explicitly states that “the emotion of definite expression Passion is not at all an art function. ” This view of him was strongly debated and was at the time attracted to the attention of bourgeois music and philosophical communities and a strong attack by other theorists. In this article, we will discuss the rationality of Hanshrek’s proposition that “the performance of emotion is not the function of music at all” from three aspects: the relationship between music and emotion, emotion and fantasy force, and the side effect of affecting emotion Where you are.