“梅花奖”获得者尚丽娟,在北京人艺的《红白喜事》里演蓉儿,是个次要角色。全剧四幕戏,她只在第三幕里有三分钟的戏。按现在很多剧院的习惯做法,她可以晚到,可以早卸妆,消消停停地洗个澡,凉凉快快地回家……没想到谢幕时她又出来了,穿着服装带着妆,严严肃肃地站在人群里。过去,这在好多剧团本来是很正常的现象,如今却显得很不简单,甚至使我由此产生了很多感触。北京人艺台上演出的完整性和台下的严肃性是分不开的。这种严肃性,不仅表现在演出的认真,后台的肃静,舞台各部门配合的严密上。更重要的,表现在剧院领导对剧院前途考虑得深远和措施的具体有力上。于是之同志曾对我说:“我们现在的问题,不是搞个小分队去赚钱,而是得加紧培养出一批人来, The winner of “Plum Blossom Award” Shang Lijuan plays a secondary role in the “Red and White Wedding” of Beijing Art Festival. The four acts of the show, she only has three minutes in the third act. According to the current practice of many theaters, she can be late, can be early remover, take a bath without stopping and stopping, cool to go home ... Did not expect the curtain call when she came out, wearing a dress with makeup, solemn serious Suddenly stood in the crowd. In the past, this was a very normal phenomenon in many theater companies. Now it seems very simple and even makes me feel a lot of feelings. The integrity of the Beijing Renji stage is inseparable from the solemnity of the audience. Such seriousness is not only reflected in the serious performance, the silence of the background, and the strict coordination of the various departments in the arena. More importantly, it is manifested in the specific power of theater leaders to think far-reaching about the future of the theater and measures. So the comrades once said to me: "Our problem now is not to make a small unit to make money, but to step up training a group of people,