“艺术就是人类情感的符号形式的创造”是苏珊·朗格在她的美学著作《情感与形式》中提出来的,是其艺术符号论美学思想最根本出发点。朗格认为:凡是用语言符号难以完成的那些任务——呈现情感和情绪活动的本质和结构的任务——都可以由艺术品来完成。所以艺术作品首先是一种符号形式,它的任务就是把人类的情感呈现出来供人观赏,把情感转变成为可见的符号手段,艺术品本质上就是一种表现情感的形式。将情感形式化、直观化是艺术符号的根本特征。本文就运用这一观点,从社会环境、个人情感、画面符号等方面来分析、认识岳敏君的绘画作品。岳敏君,中国著名的当代艺术家。在说他的绘画之前不得不提的是他从小到大的生活环境,因为,这对他作品风格、语言方式的形成 “Art is the Creation of Symbolic Form of Human Emotion ” is the most basic point of departure of Susan Lange in her aesthetic book “Emotions and Forms”. Lange argues that all those tasks that are difficult to accomplish with linguistic symbols - the task of presenting the essence and structure of emotions and emotional activity - can all be performed by works of art. Therefore, the work of art is, first of all, a symbolic form. Its task is to present the human emotions for viewing and to change the emotions into visible symbols. Art is essentially a form of expressing emotions. Formalization and visualization of emotion are the basic characteristics of the artistic symbols. This article uses this view, from the social environment, personal emotions, picture symbols and other aspects to analyze and understand Yue Minjun’s paintings. Yue Minjun, famous Chinese contemporary artist. Before mentioning his painting, he had to mention his small to large living environment because of the formation of his style and language