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20世纪80年代,受西方现代文艺思潮的影响,中国作曲家大量吸收西方现代作曲技法,以创新求变为目标,以民族化为方针,创作出既具现代思维,又合乎传统审美的中国钢琴“新音乐”。本文以结构思维为切入点,通过理论阐述和作品实例分析,辨析钢琴“新音乐”创作中的曲体特征以及中西合璧、古今交融的多元“语境”。
In the 1980s, under the influence of Western modern literary and artistic trends, Chinese composers absorbed a large amount of Western modern composition techniques, took the innovation and change as the goal, and nationalized the principle of creating Chinese pianos with both modern thinking and aesthetic tradition “New music ”. This article takes structural thinking as the breakthrough point. Through theoretical analysis and case analysis, this paper analyzes the characteristics of the melody in piano “New Music ” and the multiple “context ” blending both Chinese and western cultures.