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徐渭,字文长(初字文清),号天池,别号青藤道士、田水月等,浙江山阴(今绍兴)人,是晚明杰出的画家、诗人、书法家、古文家、戏曲家、学者和思想家,尤以其泼墨大写意花鸟画著称于世。另一方面,徐渭生活的地方—绍兴及其师承造就了他成为一个彻底的阳明心学信奉者。而阳明学把人的自然感情看成合于理的良知说,并将其应用到道德修身和社会实践中,突破了儒家伦理的桎梏,引发了思想的解放,同时出现许多异端思想和特异行为,投射到文化艺术领域则表现为对传统文化的反叛。徐渭独创的大写意花鸟画是否与阳明学和阳明后学有关呢?本文主要从以下四个方面来解读阳明学与徐渭画风的形成:
Xu Wei, the word long (early words clear), Tianchi, alias Qingtian Taoist, Tian Shuiyue, Zhejiang Shanyin (now Shaoxing) people, is an outstanding painter, poet, calligrapher, essayist, drama Home, academics and thinkers, especially in their ink-and-wash flowers and birds are famous for the world. On the other hand, Xu Wei’s place of life - where Shaoxing and his teacher built him to become a thorough believer in Yangming’s school of thought. Yang Mingxue regarded human’s natural feelings as conscience conscience, and applied it to moral self-cultivation and social practice, which broke through the confusion of Confucian ethics and triggered the liberation of ideas. At the same time, many heresy thoughts and specific behaviors appeared , Projected to the field of culture and the arts is reflected in the rebellion against traditional culture. Xu Wei’s original freehand brushwork is related to Yangming and Yangming’s postmodernism? This article mainly explains the formation of Yangming’s and Xuwei’s painting style from the following four aspects: