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元代玉器是直接从继承宋金玉器的基础上发展起来的,在形制、纹饰、雕工上多有宋金遗风。但从出土品与传世品的情况看,元代玉作业在广袤的疆域里中央政权相对统一的条件下,有了更大的发展,多层立体镂雕这一高难度技法的应用相当普遍。这其中,元代首创的扁圆柱形、呈馒头状的单层或多层镂雕器物脱颖而出,引发世人的关注。元代玉器高低不等,大小不一,造型各异,另有椭圆形、圆形、三角形、方形等。一般底部平齐,有成对隧孔,以便缝缀固定在其他器物之上。由于目前这种器型的命名尚无定论,本文根据其基本造型与功能暂称之为“玉顶饰”。依照现有已发表的考古出土资料,这类器型广泛流行于蒙元时期。
Yuan Dynasty jade is directly derived from the succession of the Song and Jin jade developed on the basis of the shape, decoration, carving more Song Jin legacy. However, from the situation of unearthed goods and handed down goods, the work of Yuan Dynasty jade made greater development under the condition of relatively unified central power in the vast territory. The application of the highly difficult technique of multi-layered three-dimensional engraving is quite common. Among them, the Yuan Dynasty pioneered flat cylindrical, was steamed bread single or multi-layered carving artifacts come to the fore, triggering the world’s attention. Yuan Dynasty jade range, size, different shapes, while oval, round, triangle, square and so on. The bottom of the general flush, there are pairs of tunnels, in order to sew fixed on top of other artifacts. Due to the current model name is not conclusive, this article based on its basic shape and function temporarily called “jade ornaments.” According to the existing published archaeological data, such devices are widely popular in the Mongolian period.