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我准备在这篇文章里谈一谈电影剧作和电影导演工作的问题,同时我要预先声明,下面所谈的一切,只是我根据个人经验对文学与电影的某些极重要的关系加以分析的尝试。我得承认,作家的看法和导演的看法在我心中经常斗争着,因此由我来谈这个题目就更不容易。根据经验,我知道用影片的容量来限制自己的文学构思有时是多末困难,但影片的容量又是形成电影艺术语言的确定不移的条件之一。
I am going to talk about the work of film dramas and film directors in this article. At the same time, I would like to state in advance that everything I’ll say below is based on my personal experience in analyzing some of the most important relationships between literature and film Try. I have to admit that the author’s view and the director’s opinion are often struggled in my mind, so it is even harder for me to talk about the subject. As a rule of thumb, I know that it is sometimes difficult to limit my own literary ideas with the capacity of the film. However, the capacity of the film is one of the unshakable conditions for the formation of cinematic language.