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福缘翰墨,三十春秋。儿时,受家族长辈影响;少年时代,承蒙恩师教诲:如今,已成为中国楹联协会书艺委员会会员、大运河书画院院士、毛泽东诗词书法研究委员会研究员的王志军,依旧步履坚实地走在自己选择的路上,对中国书法艺术孜孜以求。1988年,对于王志军来说,是值得欢庆的一年。那一年,他得遇津门著名书法家秦至臻先生,并被收为入室弟子。在老师的指导下,他开始如饥似渴地练习经典入门碑帖《九成宫》。他读、临、背、摹,将所有的空闲时间都用在了琢磨解体、点画、使转之中,不断参悟着中国书法那种势如削玉、绵里藏针、含而不露的深奥。六年的磨砺之后,在秦至臻的指导下,王志军又
Fuyuan John ink, thirty spring and autumn. Childhood, influenced by family elders; In his youth, he has been taught as a teacher: Now he has become a member of the ACFIC Arts Committee, a member of the Grand Canal Painting and Calligraphy Academy, and a researcher of the Mao Zedong’s Poetry Calligraphy Research Committee. On the way, diligently pursues the Chinese calligraphy art. In 1988, for Wang Zhijun, is a celebration of the year. That year, he met the famous Jinhua calligrapher Mr. Qin Zhizhen, and was admitted as a disciple. Under the guidance of the teacher, he began to eagerly practice the classic entry rubbings “Jiucheng Gong.” He read, Pro, back, G, all the free time are used in the pondering disintegration, stippling, making turn, constantly participating in the Chinese calligraphy that potential as jade, cotton, hidden without exception. After six years of sharpening, under the guidance of Qin Zhi Zhen, Wang Zhijun again