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所谓花背镜,即镜背表面上明显地呈现两种或多种较为悬殊的颜色的古代铜镜。“花背”之名至迟出现于宋,宋赵希鹄《洞天清录》云:“秦陀黑漆古,光背质、后无纹者为上,花背者次之”花背镜在山东、河南、湖北、安徽等许多地方都有出土,其中又以鲁西南为夥,多见于汉唐镜中。由于多方面的原因,人们对它往往不太注意,考古发掘亦少见报道。本文的目的是通过有关标本的科学分析,以了解花背镜的特点,并进一步探讨我国古代铜镜的制作工艺。今分析的标本共10件,年代由汉到宋,标本分别由银雀山汉简博物馆、鄂州市博物馆、安徽省博物馆提供,特此表示感谢。
The so-called dorsal mirror, the mirror back surface clearly presents two or more ancient bronze mirror of more disparities in color. “Flower back” in the name of late appeared in the Song, Song Zhao Xi “Cave” recorded: “Qin Tuo black lacquer ancient, light back quality, after no tattoos on the back,” the back of the flower back in Shandong, There are unearthed areas in many places such as Henan, Hubei and Anhui, among which Luxinan is the most common one in Han and Tang Dynasties. Due to many reasons, people tend to pay little attention to it, and archaeological excavations are rarely reported. The purpose of this paper is to pass the scientific analysis of the specimen to understand the characteristics of the dorsi mirror and to further explore the production process of the ancient bronze mirror in our country. The present analysis of a total of 10 specimens, the age from Han to Song, specimens were provided by Yinchuankan Han Jian Museum, Ezhou City Museum, Anhui Provincial Museum, hereby express my gratitude.