女性自主意识在五四浪潮的推动下被提到了历史日程上,同时由此生出一些觉醒者,凌叔华就是其中的一位。她的作品主要通过对高门巨族中的三种女性角色--为女、为妻、为母的描写来反映女性被动或是主动的自主意识的缺失,本文主要从符号学的角度来论述这种现象,从而透视出被隐埋的古老中国的女性历史。 Under the impetus of May Fourth wave, women’s self-consciousness was mentioned on the historical agenda, and some awakening was born from this. Ling Shuhua was one of them. Her works primarily reflect the lack of female passive or active self-consciousness by describing the three female roles in Gopos, such as women, wives and mothers, from the perspective of semiotics This phenomenon, which reveals the buried ancient Chinese women’s history.