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随着隋之统一,南北文学合流,而后至于唐代,文学思潮表现为实用主义、唯美主义以及自然主义的分合演进。杜甫、韩愈等是实用主义文学思潮的代表人物,但他们的实用主义与先唐的实用主义大不相同。以前的实用主义乃是重在内容,把文学全然当成了宣传内容的工具;而杜甫,尤其是韩愈,因为受了唯美派文学的影响,虽然口口声声反对绮丽,其实依然重视文学的美,不过在内容上主张要合于道而已。如此实用与唯美的折中综合,看似矛盾得不可思议,其实自有其辩证的统一性。
With the unification of the Sui Dynasty, the North and South literature merged, and then as for the Tang Dynasty, the literary thoughts showed the evolution of the combination and division of pragmatism, aestheticism and naturalism. Du Fu and Han Yu are representatives of the pragmatic literary trend, but their pragmatism is quite different from the pragmatism of the first Tang Dynasty. The former pragmatism is the emphasis on content, the literature as a complete propaganda tool; and Du Fu, especially Han Yu, because of the aesthetic influence of literature, although the voice of the opposition is beautiful, in fact, still attaches importance to the beauty of literature, but in Content advocate to be co-word only. Such a combination of practical and aesthetic eclectic, seemingly contradictory inconceivable, in fact, its own dialectical unity.