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在传统的中国文学和批评之间,推而广之,在作品和读者之间,横亘着一条莫名其妙的鸿沟:前者率性而发,缘情而作;而批评与读者则总是刨根问底:什么是作品的真正意义?它们固执地认定:意义就在文本之中。于是,自从有了《诗经》,便有了无休无止的意义探询,皓首穷经而终不能穷尽。而接
Between the traditional Chinese literature and criticism, a wide gap between the work and the reader lies between the inexplicable gap between the works and the readership: the former is made with the same qualities and emotions while the criticism and the readers always ask the question: what Is the real meaning of the work? They stubbornly assert that the meaning lies in the text. Thus, since the “Book of Songs”, there will be an endless exploration of meaning, Haoshou poor end can not be exhausted. And then