文学赞助最早可以追溯到公元前5世纪的古代希腊,独裁统治者常邀请诗人到其宫廷中。到了罗马时代,首都的许多贵族也对文学家提供经济上的支持,因此诗人常以首都为中心。古代中国也有养士之风,但这些门下客并不是现代意义的文学家,而是偏向哲学或思想型的文人。秦代无文,汉初的文学之士则多聚在诸侯王的宫廷中,例如梁孝王刘武。到了汉武帝,中央宫廷才真正成为文学之士集中的中心。曹魏之际,诸多著名文人更接受曹氏父子的赞助。本文主要的目标是研究两汉与曹魏之间的文学赞助的模式与变革,同时也探讨这种文人与皇家之间的特殊关系如何对文学品味和文类产生影响。 Literary sponsors can be traced back to ancient Greece dating back to the 5th century BC, and dictatorships often invite poets to their courts. By the time of Rome, many aristocrats in the capital provided financial support to writers, so the poet often used the capital as the center. In ancient China, there was also the style of a priest. However, these offenders were not literary writers in the modern sense, but rather philosophical or intellectual writers. No text in the Qin Dynasty, early Han literary people are gathered in the princes palace, such as Liangxiao Wang Liu Wu. By the time of Emperor Wudi, the central court truly became the center of concentration of literary scholars. On the occasion of the Wei and Wei dynasties, many famous scholars accepted the sponsorship of Cao’s father and son. The main goal of this paper is to study the modes and changes of literary sponsorship between Han Dynasty and Cao Wei. At the same time, it also explores how the special relationship between the literati and the royal family has an impact on literary taste and genre.