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20世纪末期,怀旧电影风潮席卷维多利亚港,王家卫作为香港具有独特格调的标志性导演,以其电影多独有的怀旧风格扬名中外,业界也对其别具一格的表现方式作出多样的解读。文章试图从心理映射的角度浅析其怀旧电影,并探索王家卫怀旧电影如何反映20世纪90年代香港市民心理特征。文章通过阐述怀旧文化的特征和香港20世纪末期面临的社会现状,对王家卫所执导的部分怀旧电影进行分析,以此探索其如何利用怀旧元素在各方面造成心理暗示,从而引起香港观众的共鸣。
In the late twentieth century, the wave of nostalgia films swept Victoria Harbor. As the iconic director of Hong Kong’s unique style, Wong Kar-wai is renowned both at home and abroad for its unique nostalgia style. Many interpretations are also made by the industry on its distinctive performance. The article tries to analyze its nostalgic movies from the perspective of psychological mapping and explores how Wong Kar-wai’s nostalgia movies reflect the psychological characteristics of Hong Kong citizens in the 1990s. By elaborating the characteristics of nostalgia culture and the social status quo faced by Hong Kong in the late 20th century, the article analyzes part of the nostalgia movies directed by Wong Kar-wai to explore how it uses nostalgia elements to create psychological hints in all aspects and thus resonate with Hong Kong audiences.