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1974年、林肯中心电影学会大礼堂。这是希区柯克人生中又一个里程碑式的日子。年迈的他被授予该电影学会的Gala Tribute,他是历史上第三位获此殊荣的电影人。在这个激动人心的时刻,古稀的希区回顾自己辉煌的艺术生涯,并再次用他风趣幽默的语言征服了在场的观众。当说到他所执迷的谋杀主题时,引用了他最为钟爱的一篇文章——托马斯·德·昆西(Thomas De Quincey)的《作为高等艺术的谋杀》(Murder as One of the Fine Arts),并加上一句属于他本人的阐释:“做它的最好办法就是用剪刀。”(The best way to do it is with scissors.)这显然是一句双关语,剪刀不仅是杀人的工具,也是剪接电影胶片、使之成为完成片的方式。这同样使人回想起希区柯克写于1937年的那篇文章,在那篇表达个人电影审美观的文章中,他淋漓尽致地表达了对剪接和蒙太奇的喜爱:“我想把我的电影在银幕上组织起来,而不是简单地拍摄一段如同戏剧表演那般已经被组织在一起的场景。这才是给予一部电影以生命的效果——这是一种感觉,它使你感觉到在银幕上看到这部电影时,它是直接通过视觉的方式生产出来的。银幕必须说自己的语言,一种独一无二的语言,如果它不把一个场景当作一个原材料,不把这个原材料分开,再把它编织成其有表现力的视觉形象,那它就无法达到这一点。”
1974, Lincoln Center Film Institute auditorium. This is another milestone in Hitchcock's life. Aged he was awarded the Gala Tribute to the Film Society, the third filmmaker to win the title in history. In this exciting moment, Gully's Hitchcock reviewed his brilliant career in art and again conquered the spectators with his humorous language. When it comes to the subject of his assassination, he cites his most beloved article, Murder as One of the Fine Arts, by Thomas De Quincey, , Plus an explanation of his own: “The best way to do it is with scissors.” This is obviously a pun on the scissors not only as a killing tool , Is also a film cut film, making it the way to complete the film. It is also reminiscent of Hitchcock's 1937 essay in which he vividly expressed his love for editing and montage in his essay on personal cinema aesthetics: “I want to put my Instead of simply filming scenes that have been organized together as theatrical performances, the movies are organized on the screen.This is the effect of giving a movie a life-it's a feeling that makes you feel When the film is seen on the screen, it is produced directly and visually. The screen must speak its own language, a unique language, and if it does not treat a scene as a raw material, it does not separate the raw material And weaving it into its expressive visual image, it can not do that. ”