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在京剧历史上,海派(南派)京剧以其激进的民主意识、开放的艺术观念以及平易通俗的特点,与京朝派(北派)分庭抗礼,曾有“半壁江山”的美誉。去年10月在上海举行的“中国南派京剧研讨会”,组织了3场演出,集中挖掘了一批绝迹数十年的海派名剧,显示了海派京剧艺术的独特魅力。京、海两派同源异流,不仅各自创排了风格迥异的新编剧目,更对早期京剧的大批传统剧目从编导、行当,表演、音乐、舞美等不同角度进行了各具特色的再创造,形成了不同的戏路。以包公为主角的连台本戏《狸猫换太子》是海派京剧的代表剧目,其中的《落帽风》(又名《断太后》)
In the history of Peking opera, the Peking opera (Shanghai faction) Peking Opera, with its radical democratic consciousness, open art concept and easy-to-be popular features, played a part in the rivalry with the Beijing School (North School). Last year in Shanghai in October held the “China Southern Peking Opera Symposium,” organized three performances, focused on mining a number of extinct Shanghai opera, showing the unique charm of Shanghai Peking Opera. Beijing and Shanghai both originated from different origins and created new repertoires of different styles. In addition, a large number of traditional repertory of early Beijing opera were conducted with different characteristics from the angle of director, director, acting, music, Created, formed a different play path. In order to Bao Gong as the protagonist of this drama “civet cat for Prince” is the representative of the Shanghai opera Peking Opera, which “fall hat style” (aka “Queen Mother”)