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庆祝建党90周年之际,文艺界人士纷纷行动起来,以各类优秀作品和各种文艺活动向党献礼。近日上海,在丰富多彩的“主旋律”大合唱中,总政话剧团来沪展演的三部话剧《毛泽东在西柏坡的畅想》《生命档案》和《黄土谣》显得尤为瞩目。这三部被誉为“树立了当下中国主旋律戏剧创作的新标杆”的大戏不仅引发了观剧热潮,还引起了上海文艺界对主旋律文艺创作的深入探讨。总政话剧团的“主旋律”之歌到底有着怎样的巨大魅力呢?他们又是怎样创造出这些叫好又叫座的作品的?为解开这些疑团,本刊深度采访了剧团的编剧、导演、演员,以探寻“主旋律”创作的奥秘。
As we celebrate the 90th anniversary of the founding of the party, literary and art circles have all taken actions to offer their best wishes to the party with various outstanding works and various literary activities. In Shanghai recently, in the rich and varied “main melody” chorus, the General Political Repertory Theater’s three dramas “Imagination of Mao Zedong in Xibaipo”, “Archives of Life” and “Loess Ballad” appeared in Shanghai. These three are hailed as “set a new benchmark for the creation of contemporary China’s main theme of drama ” not only triggered a boom in theatrical drama, but also caused the Shanghai literary and art circles in-depth discussion of the main theme of literary and artistic creation. What kind of tremendous charm is the song of the “main theme” of the General Political Repertory Theater? How do they create these acclaimed works? In order to solve these mysteries, we interviewed the script writer and director , Actor, in order to explore “main theme ” creation mystery.