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当吉尔伯特与古巴尔把《简·爱》中的伯莎·梅森阐释成为“简·爱”反抗男性中心位置潜在欲望的实现和毁灭男权的象征之后①,在文学作品中用“怨妇”、“疯女”形象和方式向男权中心主义抗争,就成为“两性战争”的一种形态。张爱玲的作品中,“曹七巧”、“白流苏”、“葛薇龙”、“蜜秋儿”等一系列形象呈现出在金钱、爱情和地位等重压下的女性反抗形态,因为在头顶宗法父权、经济不能独立、人格不能完善以及传统桎梏中,“女人的天空是低的,羽翼是稀薄的,而身
When Gilbert and Cuban interpret Bertha Mason in Jane Eyre as ”Jane Eyre“ to resist the realization of the potential desire at the center of men and the symbol of the destruction of patriarchal, ”Grievance “, ”crazy woman “ image and way to fight male chauvinism, it becomes ”a kind of gender war “. A series of images of Zhang Ailing, such as ”Cao Qiao“, ”White Flowing Su“, ”Ge Wei Long“ and ”Honey Qi’er“, present female resistance under the weight of money, love and status Because of the patriarchal patriarchy on top of his head, the economy can not be independent, the personality can not be perfected and the traditional shackles, ”the woman’s sky is low, the wings are thin, and the body