看了杨延晋导演的影片《女市长的私人生活》,感到很失望。选用张伟欣饰演女主角,显然是导演的『明星意识』在起作用。并不是说不能有『明星意识』,问题是这种意识是不是符合特定角色的本质特征,而事实上,如果这种意识强烈到主观远远超过客观的程度,角色创造的失败也就在所难免了。张伟欣今人遗憾地塑造了一个既不象母亲、也不象妻子、又不象市长的『三不象』人物便是一例。说她不象母亲,是因为她太严肃,太呆板,与儿子似乎没有一种天然浑成的骨肉关系,不要说对儿子讲话时是那样一本正经,与儿子嬉戏时是那样别别扭扭,就是跪下让儿子当马骑也是那样突如其来,缺乏内心依据,说她不象妻子,是因为她太拘谨,太理智,对丈夫所有主动施予的爱,她都给予冷漠、平淡的反馈。仿佛她不是妻子,也不是女人,而是徒有漂亮外表的机器人。尽管,她也有向往家庭天伦之乐的梦境,但这毕竟不足以显现她作为妻子应该具有的本质特征;说她不象市长,是因为她太机械,太肤浅,无论是打电话的语调、接待 I was very disappointed when I saw Yang Yanjin’s film “The Mayor’s Private Life.” The selection of Zhang Weixin as the actress is obviously the director’s “Star Consciousness” at work. The problem is not whether this consciousness meets the essential characteristics of a particular role or not. In fact, if this awareness is so strong that the subjective level far exceeds the objective level, the failure of role creation will be in place Inevitable. Chang Weixin today unfortunately regrettably created an example of “three noes” who are neither like mothers nor wives nor mayors. To say that she is not like a mother is because she is so serious and too rigid that she does not seem to have a natural muddy relationship with her son, that she should not be so serious about her son’s speech, Her sudden departure from horse riding came as a sudden lack of internal evidence that she was not like a wife because she was too cautious and too sensible to give indifferent and plain feedback to all the husbands’ offer of love. As if she was not a wife or a woman, she was a robot with a beautiful appearance. Although she also had dreams of long-term family life, she was not enough to show her what she should be as a wife. She was not like the mayor because she was too mechanical and too superficial, whether it be the tone of a call, Reception