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电影《叶问》延续传统爱国主义题材电影的制作、叙事与意义表达模式,植入儒家哲学价值观,唤醒观众的共同记忆。后现代国家已不仅仅是地理联合和政治同谋的结果,更多的为共有的情感与意志而存在,并赋予一种精神层面的情感表达、自我认同、希望与理想。《叶问》类型电影的社会影响力日渐式微,只在有限范畴内发挥着国家意志联合的作用,亟待新形势下国家意识形态重建及与之同步的电影艺术创新。
The film “Ye Wen” continues the production of traditional patriotic theme films, narrative and meaning expression models, implants the values of Confucian philosophy and awakens audiences’ common memory. Post-modern countries have not only been the result of geo-coalition and political complicity, they have existed for shared emotions and wills, and have given them a spiritual expression of emotions, self-identity, hope and ideal. The social influence of “Ip Man” films is declining, and only plays the role of the will of the state in a limited scope. It urgently needs to reconstruct the state ideology in the new situation and simultaneously innovates the cinema art.