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在欧洲,田园城市这一理念与19世纪社会学理念的发展息息相关。田园城市运动不只是要寻找城市生活与自然环境的和谐,更表达了一种政治诉求,与之相对的是丹尼尔·薛伯(Daniel Schreber)发起的城市住区花园运动,这一运动将城市中一定的自由空间以集合私人花园的方式提供给个人。二者有一个共同的目标——将建构以和谐的方式融入自然环境中。它们虽然都是工业社会的产物,但它们与农耕传统的关系也是不可割裂的。在阿道夫·克利尚尼兹的建筑实践中,这些住区花园传统与理论的影响与传承关系是不可忽视的。展出的项目关注建造与留白之间的辩证关系,有意识地推动建造观念的转变——不仅对20世纪末的欧洲来说有意义,也希望对成都以及201 1成都双年展有所启发。
In Europe, the concept of a garden city is closely linked with the development of sociological ideas in the 19th century. The Garden City Campaign does more than just look for harmony between city life and the natural environment, but also expresses a political appeal as opposed to the Urban Residential Garden Campaign launched by Daniel Schreber, A certain amount of free space is provided to individuals in the form of a private garden. Both have one common goal - to integrate construction in a harmonious way into the natural environment. Although they are all products of industrial society, their relations with the farming tradition are also inseparable. In the architectural practice of Adolf Krzysztunz, the influence and inheritance of tradition and theory in these residential gardens can not be neglected. The projects on display focus on the dialectical relationship between construction and the blank, and consciously promote a shift in construction not only makes sense for Europe in the late twentieth century, but also inspires Chengdu and the 201 Chengdu Biennale.