中国人物画的“形神论”意象造型观使我国传统人物画很早就摆脱了描摹自然的再现道路,而走向抒情、写意的表现道路。由于各个历史时期人们对形神关系的理解不同,形神叛乱造型不断地发展、丰富和变化着,但总体上看中国人物画属于表现、写意的。唐以前的 Chinese portrayal of “God-of-the-gods” image modeling concept made our traditional figure painting get out of the way of depicting the nature of reproduction long ago, and went to expressive and freehand path of expression. Because people in different historical periods have different understandings of the relationship between the form and spirit, the rebellious form of the form and mind constantly develops, enriches and changes. However, on the whole Chinese portraits are manifestations and expressions. Before the Tang