龙,姿态生动,能飞善泳,上天能腾云驾雾,使日遮月蔽,下水则翻江倒海,能淹陵没谷,表现出一种雄浑磅礴的气势。它寓意江山社稷,象征富贵高尚,在民间,是吉祥喜庆的标志,因此,画龙之士,代不乏人。然而对龙的绘画技法及其论述,都很少见到。北宋初年的董羽是一个在画龙上颇有造诣的画家,他著作的一篇《画龙辑要》中首先指出了画龙“三停”和“九似”的说法。三停是“自 Dragon, a vivid gesture, can fly good swim, God can Tangyun fog, so that the cover of the sun, the water is overwhelming, can Yan Ling Valley, showing a magnificent momentum. It symbolizes country, symbolizes rich noble, in the folk, is a symbol of auspicious festivities, therefore, painting the dragon, generation no shortage of people. However, the painting techniques of the dragon and its discourse are rarely seen. In the early years of the Northern Song Dynasty, Dong Yu was a painter who was quite accomplished in drawing dragons. He first pointed out the idea of ​​”dragging three beings“ and ”nine liking“ in one of his paintings . Three stops is ”from