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处在当今的通讯与媒体时代,对建筑具体的功能表现变得越来越不重要了,建筑的抽象象征性则逐渐固定为以多重的, 不断变化含义的符号来表现,但建筑却无法把权力关系或民主自由之类的社会价值符号化。任何刻意使建筑具有更多意义的尝试不仅会牺牲风格还会牺牲建筑的其它潜质。中立的表达是当代建筑美学的首选。这座位于Wihelminian大厦旁边的学校力图在外部表现出一种简洁,静谧的美,而在内部则以色彩强调空间的动态。大厅高高的天花板把访客的视线吸引到回廊和建筑上层空间,上层相互错动,曲折布置的房间则表现出建筑内部空间的可塑性,让人想起由阿道夫·卢兹(Adolf Loos)开创并发展的空间设计理念。
In today's communications and media age, less and less important is the performance of concrete buildings, and the symbolic nature of architecture is increasingly anchored by multiple, constantly changing meanings, but buildings can not Social values such as power relations or democratic freedom are symbolized. Any attempt to make the building more meaningful will not only sacrifice style but also sacrifice the rest of the building's potential. Neutral expression is the first choice of contemporary architectural aesthetics. The school next to the Wihelminian building seeks to show a concise, tranquil beauty on the outside while emphasizing the dynamics of space internally with color. The high ceiling of the hall draws visitors 'attention to the cloisters and superstructures of the building, with the upper floors staggered and the twists and turns of the rooms demonstrating the plasticity of the interior of the building, reminiscent of Adolf Loos' creation and development Space design concept.